Inside the Control Room
An Authoritative Resource from TakeOne for Broadcast Engineering, Workflow Design, and Control‑Room Innovation
- Read moreJuly 8, 2026
Sony didn't announce a new camera in June. They announced something more interesting: the RIALTO 65, a 65mm-format sensor block…
- Read moreJuly 8, 2026
Walk into almost any modern control room, worship auditorium, or stadium production and you’ll notice something: the pictures look more…
- Read moreJuly 8, 2026
Sony’s Cinema Line covers an unusually wide range — from flagship feature cameras to remote PTZ heads to broadcast system…
- Read moreJuly 8, 2026
VENICE 2 and BURANO share DNA — both are full-frame 8.6K CineAlta cameras with roughly 16 stops of dynamic range…
- Read moreJuly 8, 2026
Here’s the mistake we see most often: a team buys a great cinema body, then discovers on the first shoot…
- Read moreJuly 8, 2026
If you’re ready to buy VENICE 2, BURANO, FR7, or the HDC-F5500 — buy from a dealer who can actually…
- Read moreJuly 8, 2026
Next in our Sony Cinema Line series, courtesy of TakeOne being the Southeast’s authorized Sony cinema dealer, is the camera…





